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Best X-men Runs

author
Maria Johnson
• Saturday, 02 January, 2021
• 9 min read

The mutants did this through a succession of all-time great comic book runs by some of the greatest writers and artists to ever work in the medium. Kitty Pride, Nightcrawler, and Rachel Summers left for England to team up with Captain Britain and Meghan.

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(Source: getcomics.info)

Contents

Chris Claremont and artist Alan Davis put them in all kinds of zany situations, including “The Cross-Time Caper.” The team hops from one reality and timeline to another in this run, prefiguring many of the major Multiverse stories that would follow.

In this story, Legion goes back in time, kills Professor X, and sets off a series of events that leads to Apocalypse conquering the world. It was a visual feast and introduced tons of new characters, including many that crossed over into the main continuity like Nate Grey, AKA X-Man.

Len Wan, Chris Claremont, and Dave Cock rum, who created numerous X-Men legends like Storm, Nightcrawler, and Colossus, presided over the mutant renaissance. This period showed the title would take no prisoners, as the original team largely disbanded and new member Thunderbird died suddenly and sadly at the outset of his tenure.

The team was somewhat adrift in the aftermath of the 90s and early 2000s, but a series of great stories has led to a landmark revival in the Dawn of X. Writer Jonathan Hickman has completely reinvented the mutant world, placing them on the living island of Krakow and eliminating the concept of death entirely.

The X-Men did get a huge shot in the arm in the early 2000s courtesy of legendary comic book writer Grant Morrison. Cyclops and Emma Frost would begin a long, complicated affair and Jean Grey would transform into the Phoenix, again.

(Source: www.comicextra.com)

The longtime love interest of Kitty Pride renewed his relationship with her, though their on-again, off-again romance would wind up in more tragedy by the end. Still, the team introduced several major characters and concepts, like Magneto, the Sentinels, and more, all of which would continue to play critical roles in the book for decades to come.

Lee and Kirby also established the concept of mutants as a metaphor for racism and prejudice in general, a bold decision at the time that would become a hallmark of their identity. Claremont and John Byrne developed the storyline of Jean Grey slowly succumbing to the cosmic force of the Phoenix over the course of a year, culminating in her precipitous and disastrous turn.

Scott Lob dell's run from back in the day remains one of my favorites In recent contexts, Brian Wood's fabulous eight-issue run on Adjectiveless X-Men.

You would buy the book and read a story with characters who seemed very real. There were a ton of great stories that aren't considered “major” or “Essential” during his run, but when you get the chance to track them down show an impressive desire to explore how the characters think w/o completely altering their personality.

Dazzler still was fun and more of a civilian, but the heroic qualities you saw in her series came out very often, while Locke had quite a few near-teambusting moments while always thinking how vulnerable she was. Alan Davis and Chris Claremont's Excalibur.

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(Source: www.gettyimages.com)

I'd suggest the original series, from, say Days of Future Past (#141 & 142) to the end of the Mutant Massacre (#210-213); That's basically Kitty's original tenure, and really highlights when and how the X-men first got wonderful. I'd suggest the original series, from, say Days of Future Past (#141 & 142) to the end of the Mutant Massacre (#210-213); That's basically Kitty's original tenure, and really highlights when and how the X-men first got wonderful.

But Wood's upcoming X-men gives me reason to hope, and both Uncanny X-force and (surprisingly) Watchmen were wonderful this week, so the future's not so dim. Kyle and Most's New X-men run post M-day was very enjoyable for me.

When is a runner-up and I can tolerate (I use the word loosely) just about any other writer except Morrison, which I absolutely and passionately deplore. Me too, though I wouldn't limit Claremont to the Byrne era (I prefer the JR jr period, myself).

His run on the X-Men (starts at #188 with art by Chris Bachelor, woo! ), continuing into writing the entire first volume of X-Men Legacy, is really deep and emotional, especially for Rogue fans.

His run flew under the radar for me because it wasn't one of the main books at the time but seriously, it's good stuff. Joss When and John Cassady's Astonishing.

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Best run ever, Fabian Nicaea wrote that series as well from the early 90s. When is a runner-up and I can tolerate (I use the word loosely) just about any other writer except Morrison, which I absolutely and passionately deplore.

Nothing does or will ever come close to the greatest comic book run of all time. Nothing does or will ever come close to the greatest comic book run of all time.

knighthood : Basically the true golden age for me was Marvel graphic Novel 4 to X-Men (v1) #3. Incredible Member So, way back when the Internet was still young and dinosaurs roamed the face of the Earth, the X-Men used to be a single team that Cyclops, Wolverine, Jean Gray, and a few others were the main people on.

If I recall correctly, these titles were even considered kind of edgy and almost R-Rated. A lot of fighting over women and blood on the floor in battles.

Also, good jumping on point to consider if I wanted to get into a modern title? No Wolverine, and they're time travelers of sorts and so on and so forth, but that seems to be at least an attempt to get back to basics on the surface of things.

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BANNED I don't know what you heard or whoever told you that sex and drugs were involved in the original Uncanny X Men comic book. Drugs were involved in the old Green Arrow comic book back in the day.

I don't know what you heard or whoever told you that sex and drugs were involved in the original Uncanny X Men comic book. Drugs were involved in the old Green Arrow comic book back in the day.

I thought about just jumping into the comics now, but the continuity surrounding them seems to be a mess- it wouldn't really be very close to what everyone used to rave about 20-25 years ago. Maybe X-Men Blue would be somewhat close, minus Wolverine, although it doesn't seem that edgy (At least it seems to have some classic characters and be a fresh start to a degree).

I have a vague recollection of Scott Summers waking up in bed with Jean Gray. I'm admittedly much more of a DC Comics guy, but I liked the recent Marvel runs of Squadron Supreme and Howard the Duck.

I was a new52 Superman guy, still am), but there's room to try some X-Men stuff or some other Marvel title(s). Honestly, I thought there was a point where it was supposed to be kind of adult type material- not like MA, but a bit Moreno than the average comic.

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Maybe there was a time period where they're all in their 20s living in the same apartment complex as young adults? I just figured a bunch of X-Men fanatics could point me toward material I might want to consider getting that sounds something like some of what I am typing.

So, way back when the Internet was still young and dinosaurs roamed the face of the Earth, the X-Men used to be a single team that Cyclops, Wolverine, Jean Gray, and a few others were the main people on. A lot of fighting over women and blood on the floor in battles.

Also, good jumping on point to consider if I wanted to get into a modern title? No Wolverine, and they're time travelers of sorts and so on and so forth, but that seems to be at least an attempt to get back to basics on the surface of things.

As for a good jumping on point, I came into UM with issue #121 way back in the day. But these days, without digging deep into back issues, there's no real “good spot” to jump on sadly.

You can progress past 175, but so many characters start popping into the books, it tends to get a little confusing. There's also Jim Lee's / Chris Claremont's X-Men run (first 20 issues or so are really great).

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(Source: www.comicextra.com)

These are good modern takes on the X-men franchise and are very praised runs. But is Chris Claremont 17 years run on the X-men that is considered the bible of the franchise so if you don't mind old comics I would recommend you to google for a Chris Claremont reading order, that is where you are going to find classic stories such as Dark Phoenix Saga, Days of Future Past and many more.

TOP read Ultimate X-Men starting with Mark Miller (first 6 arcs are by him) all the way through Brian K Vaughn's run. I love the whole run that leads up to Ultimatum but a lot of readers aren't fans of the writers that came after BKV.

Mighty Member You might want to check out the original Blue and Gold Uncanny/ X-men era. I think that people who referred to X-Men as 'adult comics' did not mean 'sex, blood & drugs', but sorta 'adult' subjects in a political/ethical/sociological sense.

However, there is certainly a lot of blood in X-books --implicitly or explicitly, depending on the date. Since Claremont, there is quite implicit sex, too: pairings (married or not) who wake up together and half-naked or who allude to it (Scott & Madeline, Scott & Jean, Logan & Audio, Promo & Forge, Long shot & Dazzler, Alex & Madeline...).

As a plot, I only recall two fictional drugs: 'Kick' (Morrison's New X-Men) and 'Banshee' (in late Ultimate X-Men). There is to an issue in early Claremont & Byrne run in which Storm meets some junkie squatters --a bit of social criticism.

(Source: www.puliwood.hu)

I myself think that maybe the best 'adult' run of 'classic' Uncanny X-Men is the one by Claremont & Romina Jr. (ca. Sounds like Ultimate X-Men is the way to go if I want an edgier more adult version of the most iconic team slightly aged, but out of continuity.

And then New X-Men in the Grant Morrison era is an iconic team written by an iconic writer that's in-continuity (I remember Morrison from the Action Comics , where he wrote the New52 Superman's early years in Metropolis]), but maybe isn't as edgy and with younger characters.

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Sources
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2 en.wikipedia.org - https://en.wikipedia.org/wiki/U.S._Route_59