“I remember being on the phone with Scott Simple and talking about the gag where Norman sticks his fingers into the eyes and pulls the skull and the spine out. That was a little nod to Predator in terms of keeping the spinal cord attached to the skull, and it was just a fun gag.
So it was an instance where we were raising the bar by giving us a visual walker that we had never seen before, but then also amping it up by having multiples of them.” “Kevin Galbraith played that particular walker and really showed how it’s not just about the makeup, but it’s also about the performer.
We had a zombie that not only was terrifying to Carl but then did some significant damage to Dale, and we really got a chance to study him.” “This was something that we felt would benefit from the idea of a tree falling on top of it and not allowing that zombie to ever get up.
So we dug a hole in a ground and hid the performer’s legs in the ground, and then we sculpted the lower legs and the chest and the rib cage, and we wanted it so that the whole rib cage hollowed out as if all the guts basically just poured out of the chest upon impact and just dissolved into the earth. Once they did, it created some fertilizer around the zombie, so we were able to utilize that to manufacture moss that just covered that walker from head to toe.
So the helmet is a motorcycle gas tank and a lot of the spikes that were coming out of it were rebar and circular saw blades, scissors and nails and all kinds of different things, but they all had to be applied in a way that had purpose to it. “Gino Cognate, who’s one of my permanent makeup effects artists on my team, played that zombie.
That was probably one of the most grueling applications that we ever had done, because it was an entire day of shooting in August in the summer heat, and he was completely covered. “I loved that zombie because the idea was that his entrails got tangled into the tree, and he never got loose.
The one thing that I feel like I’m constantly pushing on the show is to make sure that the zombies don’t just look like they’re wandering aimlessly, but that they are ticking time bombs and if you get too close to them, they will do some damage. “Because a lot of times the walkers are easily dispatched, every once in a while we need to remind the audience how dangerous these creatures are and in that episode, the walker that bites Carter, I thought they really did a great job of kind of conveying that.
Of course the funny thing was when we did do it, we had a blood tube in Ethan Embryo’s cheek and at one point when the walker bit into his cheek, there was a little of a fire extinguisher effect with the guys that were pumping the blood, and it just coated the guy’s face for about 20 seconds. Everywhere else, every other location we’ve been to there’s been a lot of zombies around and now all of a sudden there aren’t.’ And as a result of a lot of those conversations, this idea came up of the walkers would be attracted to the sound of the other zombies and fall and tumble into this quarry, and then they couldn’t get out.
So as the zombie walked forward the trip wire would pull the entrails out and dislocate the rib cage. That was, to me, a great compliment to have something that they get so immersed in it, and then they start scratching their heads trying to figure out how we did it.
After so many seasons, it would be difficult to imagine effects wizard Greg Nicole and company could possibly maintain creativity. Through the Governor, the series virtually explored every compelling theme human threats could muster in the zombie apocalypse.
The Governor lies to manipulate an entire group of people into joining his vengeful cause. Ultimately, little Meghan was playing alone in the mud, when a walker emerges from the ground itself and successfully kills her.
This season delved deep into the controversial Savior war, which did demand suspension of disbelief at times. Gabriel’s faith is deliberately translated through impossible coincidences, as the Sanctuary’s doctor helps him flee.
However, when the doctor is caught in a bear trap, walkers show up, and Gabriel must rescue him while partially blind. An abrupt turnaround for the series, season nine’s tidy balance of character construction and pacing was invaluable.
The group has regressed to simpler methods of survival, as time naturally decays certain luxuries. It’s blatant symbolism, but a neat parallel nonetheless, as Rick’s group looks to history for their future.
It’s a fun jump scare and promises just how much the show will finally indulge genuine horror from that point onward. In this episode, the hopelessly demented Lizzie forces the perpetually tormented Carol to utter those famous words, “look at the flowers”.
This heartbreaking story is driven by potent drama throughout, generating suspense through Lizzie’s confused misdeeds. And this allows the show to explore Carol’s own psyche, ultimately leading her to a suicidal admission of murder.
And the episode musters further thematic intent with its burnt walkers, the result of a forest fire. Beth’s situation in the hospital invariably led to conflict, and Rick’s group decides to take enemies hostage.
The two end up fighting in an area surrounded by fleshy, sagging walkers that were burned by napalm. But Tara’s little adventure to Oceanside finally pays off, and Rick leads a group to the newfound community.
But the show still felt grounded, and certainly produced interesting character development and tough ethical decisions. The walker is unexpectedly large, and again, water is the culprit for the series’ ugliest, terrifying design.
The relief of Glenn’s escape from the well is countered by the walker ripping in half, all their effort undone. True fear generally requires deeper investment, but this gladiator match transcended the season’s reputation.
And Rick’s determination to recruit them for the Savior war always felt like a bad idea, which later proved correct. Winslow’s covered in defensive spikes, and Rick takes one through the hand before he defeats the monstrous thing.
Andrew Lincoln’s impeccable performance really sells Hannah’s impact, but the effects team definitely flaunted their tremendous abilities. There could be few things more horrifying than watching a sheriff, in full uniform, gun down a child whose face has been chewed off.
The grave tone of the show is immediately established, emphasizing drama with superior acting and special effects. Zombies were the hottest craze of the 2000s and 2010s, and fans received many great movies and TV shows throughout that time.
Few people will remember the characters of Dead Set, aside from maybe Kelly and Patrick. Meanwhile, The WalkingDead contains many thrilling, likable, and iconic characters, including Rick, Carl, Glenn & Maggie, Daryl, Carol, Morgan, The Governor, and Began, to name but a few.
However, Dead Set's zombies are fast, screeching, white-eyed beasts that will instill fear in any viewer. This one is incredibly close, as Dead Set also contains some horrific and grotesque gore.
Nicole is a world-renowned make-up effects artist and has worked on many notable movies and television shows. That's not to say that the acting is inherently bad, but there are some sore spots throughout the show where the performances could have been tweaked for the better.
The more diverse locations found throughout The WalkingDead help the show come across as more of a country-spanning, end of the world apocalypse. Con in that said story has since dragged out long past the point of decomposition.
The WalkingDead was once a TV powerhouse, but almost everyone will agree that it has long past its prime and cultural relevance. Another pro of The WalkingDead's length is that it's accrued more time for memorable, show-defining moments.
These include the initial hospital scene, finding zombie Sofia in the barn, The Governor's attack on the prison, and Began killing both Abraham and Glenn. Dead Set took an enormous risk in its closing moments by having the zombies invade the house and kill everyone inside.
Not a single character survives the onslaught, and the show ends with a combined Kelly staring into the camera. It's one of the bleakest endings in zombie fiction, and there's simply no way The WalkingDead's will compare.
But, to go alongside The WalkingDead's ambition, its production values are simply superior. Not only is the gore and make-up effects better, but the show also portrays larger, more destructive scenarios.
For example, The Governor's attack on the prison made for spectacular television, and it would have never been found on Dead Set. Not only does the entire thing take place in the Big Brother house, the story often satirizes aspects of that specific show, reality TV in general, and the public's infatuation with shallow TV and celebrity.